‘Analogue Creatures’ is the first material by Immersion – Malka Spigel from Minimal Compact and Colin Newman from Wire – since a fabled performance at London’s Royal Festival Hall in 2000 which marked the reformation of Newman’s group. The next decade and a half would see Swim~, the electronica label that Spigel and Newman had established, put on the backburner while the duo variously worked on the resurgence of Wire, live shows by Minimal Compact and the Githead group they formed with Robin ‘Scanner’ Rimbaud and Minimal Compact’s Max Franken.
Named for the organic quality of the synths deployed rather than suggesting that this new 10” EP is a product of the analogue renaissance that gets Big Bang Theory-esque synth nerds all hot under the collar, ‘Analogue Creatures’ is at once deeply ambient, while simultaneously Krautrock in its dimensions. ‘Always The Sea’ and ‘Shapeshifters’ blend together choppy guitar lines with slowly ebbing and flowing synth backdrops, it often being unclear when the synths stop and the guitars start. Despite the absence of any discernible rhythm, there is nevertheless a pulse – of sorts – running throughout the record, evoking the chugging motorik grove that characterised much of Krautrock; Newman sees ‘Analogue Creatures’ as being in the territory of a ‘beatless Neu!’ and it’s easy to see why he’d come to that conclusion.
The EP pivots on the track ‘Organic Cities’. That track saw the duo collaborating with local Brighton synth geek Guy Schneerson, and the track demonstrates a more harmonically full suite of arpeggios, plucked guitar lines and evocative texture. It sits somewhere between the churning linear lines of a Githead melody and a previously-unheard outtake from Vangelis’s Bladerunner soundtrack.
‘Analogue Creatures’ is a slick return to the drifting, expansive electronica that occupied Spigel and Newman in the Nineties, but it’s also yet another evolution of this stop-start-stop collaboration. It doesn’t necessary signal a return to the prominence that the duo gave Immersion in the formative Swim~ days, but despite a long period of absence during which they focussed on the classic guitar-bass-drums formation, the pair are showing that they’re every bit as intrigued by synth music as they ever were.
A full interview I held with Malka Spigel and Colin Newman about the new Immersion record will appear in the next issue of Electronic Sound. Electronic Sound is available at the App Store or electronicsound.co.uk.
(c) 2016 Mat Smith / Documentary Evidence