Daniel Blumberg could well be seen as the most sonically challenging addition to Mute’s present-day roster. His prolific release schedule highlights both a limitless improvisatory imagination and also a huge amount of trust and freedom by the label that he joined last year with his Minus opus.
In parallel to his work under his own name as de facto band leader, his output as GUO with tenor saxophonist Seymour Wright represents an ever-adaptable framework that allows the pair space to collaborate with other like-minded musicians. After previous releases with friend and muse Brady Corbet, GUO4 pitches the Blumberg/Wright duo together with drummer Crystabel Riley, accompanied by a text from Fran Edgerley. The impetus for the session was a new short film by Peter Strickland concerning itself with an altercation between two men in a locker room.
Violence, then, is to be expected from this atypical soundtrack, which is, for the most part, led by Riley’s evocative, sheet metal-esque percussion. Taken as a sympathetic and wonderfully noisy response, Wright’s atonal squalls of upper-register bleating and Blumberg’s signature guitar un-playing – ranging from low distortion rumbles to metallic splinters to an undercurrent of angry note clusters – make the single 22-minute piece both expressive and beautifully uncomfortable.
To paraphrase what another of Mute’s noisier pairings might have dubbed it, this is easy listening for the hard of hearing. Whether it acts as a portent of what we can expect from Daniel Blumberg’s next LP under his own name remains to be heard.
Words: Mat Smith
(c) 2019 Documentary Evidence