The title of Laibach’s new EP reads like their own take on Silicon Teens’ Music For Parties, but the party in question here is not some convivial get-together but the Workers’ Party of Korea, the ruling administrative organisation of the Democratic People’s Republic of Korea (DPRK). I am in no position to say whether this party is as fun as the one that the revellers depicted on the sleeve of Music For Parties are at.
The EP collects together material prepared for the group’s mould-breaking show in the DPRK in 2015, and offers some insight into the control over their performances provided by their hosts. Three versions of the mournful, heart-wrenching aria ‘Honourable, Dead Or Alive, When Following The Revolutionary Road’ are included here, a piece originally intended for their concert at the Ponghwa Theatre in Pyongyang but axed when the hosts deemed it too confusing. If that by itself seems confusing, consider that the 1972 piece is taken from one of the five revolutionary operas approved by Kim Jong-il, and their sensitivity to Laibach’s tender interpretation is perhaps more understandable.
There is a haunting melancholia to the two studio versions on the EP, the band offering a largesse and stirring quality that is strangely moving, even when a surprising cluster of pulse-quickening jagged analogue synth squeals are ushered into view at the conclusion of the Arduous March version. (A third version arranged by pupils of the Kum Song Music School is more restrained, more operatic, and presumably deemed less confusing by the ever-watchful hosts – though its slightly murky recording suggests it may have been recorded covertly.)
Elsewhere, the EP includes a sweeping, epic English version of the evocative ‘We Will Go To Mount Paektu’, commissioned by the hosts for the Pyongyang performance but ultimately binned upon fears that it would not just cause confusion but also “anger and mayhem”. Consider that. “Anger and mayhem.” The song is poised on huge, reverberating rhythms and gentle electronic melodies and it’s hard to see why the hosts were especially concerned, but this DPRK pop song is an ode to the Mount Paektu Bloodline that begat the Kim dynasty, so ours is not to reason why.
Words: Mat Smith
(c) 2019 Documentary Evidence