‘Move’ was Moby‘s first single for Mute, and I still think that it could be argued as the best dance track – aside from ‘Go’, of course. 1993 was a time when Richard Hall’s focus was entirely on housey, uplifting dance music, without any of the guitars and hip|hop beats that pervaded his subsequent work on albums like Play.
‘Move (You Make Me Feel So Good)’ was designated as the single mix, and is everything you’d want from a Moby dance track – solid beats (with a bit of a hardcore break feel), atmospheric / euphoric strings, melodic piano and soulful vocals. ‘All That I Need Is To Be Loved’ was re-recorded as a thrash metal dirge for ‘Hymn’ and his debut Mute album Everything Is Wrong, but on the 12″ we get the seminal original, while the CD includes an edited mix. It’s an aggressive but trancey acid cut, with a central synth hook and heavy 4/4 beats, an impassioned Moby largely shouting the lyrics.
‘Unloved Symphony’ is proper ‘ardcore – frantic beats, headcleaner noises etc, but Moby tempers this aggression with piano motifs and some queasily moving string sounds. ‘The Rain Falls And The Sky Shudders’ points to his soundtrack work – beautiful piano heard in the middle distance, while the sound of a torrential downpour provides the foreground. Various noises filter through, and overall this is a seminal treat tucked away on this single. Over on the 12″, ‘Morning Dove’ is a repetitive percussive tribal house cut with a riff like a Moroccan snake charmer, and apparently named after a particularly potent ecstacy tablet.
The second 12″ includes four remixes – three by Moby himself including a full-length version of the single mix and one by Mark ‘MK’ Kinchin. MK’s mix is pure ’90s house, his layering of the scant vocals and new sax riffs over a steady house beat echoing his work with Nightcrawlers. Moby’s two mixes on the B-side are aggressive and fast (Sub) and deep and relaxed (Xtra), the lattering featuring what sounds like a double bass. A further mix by Moby, his Disco Threat mix, is exclusively available on the cassette and two-track CD single.
First published 2006; edited 2019.
Words: Mat Smith
(c) 2006 – 19 Documentary Evidence