[Hepworth Resounds] is a two-part exploration of the work of sculptor Dame Barbara Hepworth (1903 – 1975) by voice artist Olivia Louvel. The first part, The Sculptor Speaks was broadcast by Resonance FM in January 2020 and is followed by SculptOr, released by Louvel’s Cat Werk Imprint label today.
Olivia spoke to Documentary Evidence about the origins of the project and what it as that resonated so much about Hepworth’s work – and voice.
I have always been fascinated by the interplay of voice and sculpture.
I recently researched the subject in The Sculpted Voice: An Exploration Of Voice In Sound Art. The first piece I made on Barbara Hepworth was ‘Studio’, which is now featured on the album SculptOr. For that I recorded sounds in the art and metal workshops at the University of Brighton.
I was familiar with her sculptures – she is an icon – but it’s only when I began to read her writings that things took a new turn, and I could see how I could compose with her words.
I work at the intersection of creation and documentation, often taking existing texts as a point of departure. Delving into her creative process, I could question my own creative process and relationship to sculpting sounds. I visited her Sculpture Garden in St Ives back in 2017 and then I went to the Wakefield museum too. Recently, I attended her exhibition at Musée Rodin, in Paris.
Voice is a material I enjoy manipulating. My practice is built upon a long-standing exploration of the voice, whether sung or spoken, and its manipulation through digital technology as a compositional method.
Largely I use digital tools which employ virtual methods of sculpting, I worked with Audiosculpt (Ircam) and GRM Tools (GRM-INA).
The starting point for [Hepworth Resounds] was her extensive body of writings, which paved the way for SculptOr, a suite of nine pieces available as digipak CD. So the project started with her words but then en route I began to play with a snippet of her voice for ‘Use Your Own Body’, the first track on the album, in which she says that “every sculpture must be touched”. I thought how wonderful it would be to work more with her voice, to touch her voice. And so the project evolved.
During my research at the British Library, I discovered the existence of a 1961 tape called The Sculptor Speaks and I was able to obtain the digitised file thanks to Sophie Bowness, trustee of the Hepworth Estate.
The Sculptor Speaks is a 1961 recording of Barbara Hepworth’s voice, illuminating her creative process. Recorded by Hepworth herself in her studio in St Ives, the tape’s initial purpose was for a recorded talk to accompany slides for the British Council. I am creating for it a new sound environment, effectively re-sounding the tape; re-sounding as in bringing a new resonance, a new context to the object, an object which had been neglected, just waiting for a new status. So we could say that SculptOr is based on words, and The Sculptor Speaks is based on the direct carving of her voice. Both objects together form [Hepworth Resounds].
The Sculptor Speaks, as a first iteration, was premiered on Resonance FM on 10th of January 2020, celebrating her date of birth. From this stereo version, I plan to bring her voice in the space – in the context of a multi-speaker diffusion – so the audience can experience the physicality of her voice, discover this rich oral material and acquire a new sensorial perspective on her legacy.
Interview: Mat Smith
SculptOr by Olivia Louvel is released February 7 2020 by Cat Werk Imprint. Buy Sculptor here.
(c) 2020 Olivia Louvel for Documentary Evidence