According to something I read back in 1993, Mute had not signed any new artists to the label for some time, the last new artist being Moby who joined the label the year before. Parallax, whose first single ‘Push For The Love Of Life’ was released by Mute that summer, were supposed to be Mute’s hot new talent. The project of Jason Young, Parallax were a bratty outfit grappling with the vernacular of hardcore rave, mixing those sounds with harsh industrial noise blasts and the type of rapping favoured by the likes of Pop Will Eat Itself. ‘Push For The Love Of Life’ would prove to be one of just two singles released by the band before promptly disbanding. ‘Push For The Love Of Life’ was written and produced by Jason Young and engineered by Julian Briottet, brother of Renegade Soundwave‘s Danny Briottet.
Though at times it feels barely a fraction above demo quality, ‘Push For The Love Of Life’ remains a personal favourite. The song is characterised by a frantic (if far too quiet) 4/4 drum rhythm and urgent bass line. Over that Young drops in a concise array of droning sounds, rave whistles, sampled snarling metal guitar, sirens and so on, topped off by impassioned and defiant rap. Whilst this brand of agit-rap hasn’t aged terribly well, there is a desperate quality to it, the track ending with a frustrated ‘never let go‘ from the frontman. In addition to the main single-length Savage Mix, the 12” and CD also features two further versions – the Valentine Mix and an instrumental version (credited on the promo 12” as an extended instrumental mix). The Valentine Mix ditches the vocal and adds acid-style synths which would give this mix a dancefloor appeal were it not for the simplicity and lack of club-friendly punch that characterises the track’s beat. Some ‘Join In The Chant’-style insistent howling is a nice touch and there’s still nothing quite so thrilling to me as a 303 sound operating on the edge of being out of control.
The release is rounded off by a demo version of the track ‘No Concept’ which was mixed by Paul ‘PK’ Kendall. Someone has said that the track samples Faith No More’s ‘Crack Hitler’ but I wouldn’t be able to verify that. ‘No Concept’ has a nice breakbeat, droning washes of nagging feedback and a distorted rap that feels like it would have suited Nitzer Ebb‘s Douglas McCarthy. There’s a sense of dystopian helplessness on this track, signalling the rise in quality that would characterise Parallax’s second (and final) release, the Bullet-Proof Zero EP.
First published 2012; re-posted 2018.
(c) 2012 Mat Smith / Documentary Evidence