Issue 54 of the inestimable Electronic Sound is out now, and its major focus is on the enduring legacy of Anthony Wilson’s Factory Records.
As Mute’s artist-led focus has continued since becoming a fully independent enterprise again, the borders between the Factory back catalogue and Mute have become fuzzy; New Order now call Mute home, and A Certain Ratio‘s entire back catalogue is now looked after by Daniel Miller‘s imprint. The latest issue features interviews with ACR and Stephen Morris of New Order / Joy Division, while the accompanying double 7-inch single issued with the bundle (now sold out) features the single version of ACR’s ‘Knife Slits Water’, presented alongside tracks from Factory stalwarts The Durutti Column and Section 25, as well as the oft-overlooked Minny Pops, in a gatefold sleeve that nods reverentially in the direction of the original Factory Sampler EP.
This month I contributed a short introductory feature on Alice Hubble, the alias of Alice Hubley from Arthur & Martha. You can read a short interview with Hubley over at my Further. blog as part of a series of micro-features called 3 Questions. I also reviewed albums by Pere Ubu, Tenderlonius, sometime Jaki Liebezeit collaborator Burnt Friedman, a fine Erland Apseneth album on Hubro and a various artists record fusing the natural sounds of Michigan with intelligent sound responses.
I also reviewed the excellent new Yeasayer album, Erotic Reruns. My interview with Anand Wilder from the band can be found here.
Buy Electronic Sound here.
(c) Mat Smith / Documentary Evidence for Electronic Sound