Liars & Saint Laurent – Women’s Spring / Summer ’14 – Collection VIII (30/09/2013)

A video from Paris Fashion Week 2013 showcasing the Saint Laurent Spring / Summer 2014 collection, soundtracked by an exclusive remix of ‘Mr. Your On Fire Mr.’ by Liars. The stark neon catwalk design also evokes the angular sleeve stylings of Liars’s WIXIW album.

Video:
Saint Laurent Women’s Spring / Summer 2014
Collection VIII
30/09/2013
The official Saint Laurent page for this video can be found here.

Music:
Liars – ‘Mr. Your On Fire Mr.’
Originally recorded 1999 and available on the album They Threw Us All In A Trench And Stuck A Monument On Top (Blast First).
Remix and additional recording for Saint Laurent by Angus Andrew in LA, September 2013
Soundcloud stream available here.

Content (c) 2013 Saint Laurent / Liars
Blog post (c) 2015 Mat Smith / Documentary Evidence

Liars – There’s Always Room On The Broom (Mute Records single, 2004)

Liars 'There's Always Room On The Broom' 10" artwork

mute records | 10″/cd mute317 | 09/02/2004

New York’s Liars made their transition from Blast First to Mute with this, their second UK single, and the first track to be taken from They Were Wrong, So We Drowned. A marked change in direction, ‘There’s Always Room On The Broom’ – albeit rather nursery rhyme-esque in it’s title – takes an influence from the paranormal, using German witchcraft mythology to provide its themes. This release comes in a very tongue in cheek sleeve that rips off Einstürzende Neubauten‘s sleeve for Strategies Against Architecture. (Just over ten years after this single was released, I found myself at a Laibach concert in London talking to a member of the Mute team, who was sporting a Neubauten t-shirt, which he said he wire to Laibach gigs just to piss off the band; we got to talking about the pastiche that was created for the sleeve of ‘There’s Always Room On The Broom’. He said that Mute approached Blixa Bargeld to ask for permission to use his original sleeve for Strategies…; apparently Blixa loved it and thought it was pretty funny.)

How to describe this music? Well, on the lead track, an exciting meeting of Neubauten and Sonic Youth wouldn’t actually be a bad starting point. Vocalist Angus Andrew bears a striking aural similarity to the Youth’s Thurston Moore in his early, naive, punked-up deadpan style. Musically, with its breakdown into fuzzy whitenoise and lo-fi percussion – cardboard box rhythms a la Moe Tucker duelling with Neubauten’s N U Unruh – this could be from almost any combination of points along indie rock’s ancestry. Some ghoulish whining reminds you of the Germanic folklore which inspired the album’s creation. Some densely-savaged organ sounds leads you to imagine Clint Boon inside a cauldron with The Lonesome Organist playing devil with a distortion pedal.

Track 2, ‘Scull And Crossbrooms’ [sic], is a miniature percussion and feedback affair, lasting just over 1.5 minutes, with some early Aphex-esque grainy synths evoking a ritualistic, covenly atmosphere. ‘Broom’ is similarly atmospheric, straight outta Bad Moon Rising, featuring some soft vocals and rolling, reverberating timpani and percussion, with which William Winant would be suitably impressed.

Despite its slightly goofy leanings, this is a pretty earnest slab of prime rump post-rock, and if you’re getting bored of that whole flavourless low-carb Strokes / nu-punk-lite nonsense, then this could be just what you need in your diet.

Track listing:

10″/cd:
A. / 1. There’s Always Room On The Broom
B1. / 2. Scull And Crossbrooms
B2. / 3. Broom

First published 2004; edited 2014

(c) 2014 Mat Smith / Documentary Evidence

Link

Liars – Mess (Mute Records album, 2014)

A review of the new Liars album, Mess, for the Feeder website. Words by me.

(c) 2014 Feeder