The Pop Group – For How Much Longer Do We Tolerate Mass Murder? (Y / Rough Trade album, 1980)

  
The Pop Group‘s second album has finally been given the reissue treatment. The group consisted of future Mute artist Mark Stewart (vocals), Gareth Sager (guitar and sax), Dan Catsis (bass) John Waddington (guitar) and the drummer they shared with The Slits, Bruce Smith, and For How Much Longer Do We Tolerate Mass Murder? was originally released by the group’s Y label via Rough Trade in 1980. The incendiary album has been reissued by the Freaks R Us label, who were also responsible for putting out The Pop Group’s 2015 album Citizen Zombie. For the reissue the label has also added the single ‘We Are All Prostitutes’ to the track listing. 

I reviewed the album for Clash. My review can be found here.

(c) 2016 Mat Smith / Documentary Evidence

Hope & Harrow – Sufferhead (Workhouse Digital single, 2013)

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workhouse digital | dl | 23/10/2013

After almost twenty-eight years, Pete Hope and Dave Harrow have decided the time is right for a follow up to their 1985 EP, also titled Sufferhead.

Vocalist Pete Hope is a stalwart of the Sheffield post-punk scene, which meant that some sort of collaboration with someone from Cabaret Voltaire was always a possibility – in Hope’s case it was working with Richard H. Kirk on the album Hoodoo Talk. Hope has also worked with Jono Podmore (Kumo, Metamono, Cyclopean) and in The Box with members of Clock DVA. As for Harrow, he has occupied a shadowy presence in the world of electronic music, working with Psychic TV, Adrian Sherwood’s venerable On-U institution (overseeing mixes for Depeche Mode, Mark Stewart and others), Anne Clark, Andy Weatherall and working as Technova and other aliases.

Some things are worth waiting for, as proven by this five-track EP. Sufferhead is an understated, assured release wherein electronics flutter and stalk with repetitious dark menace and vocals growl with thinly-concealed threat, anger and cynicism. Standout track ‘Revolution Train’ (see the clip below) is like an amalgam of everything Nitzer Ebb were trying to do around the time of Belief, only with more depth and attention to detail, while ‘Tongue Tied’ takes a crisp, jittery IDM pulse and adds in suggestive low-pitched spoken vocals that probably aren’t about getting your words muddled up. At opposite ends of the spectrum, ‘Sparticus’ might sound aggressive and disappointed by turns but it conceals a hidden sincerity, while the electronic dub of ‘Turn Up The Fuzz’ comes with a punkish social awareness suggesting that things are just as rubbish today as they were in the mid-Eighties.

Labelling this a comeback would be an insult; against a backdrop of electronic music regaining visibility with critically-acclaimed albums from bands and artists that have been treading the boards since the early Eighties, Sufferhead is a lot like a grenade being tossed casually into the fray, its impact proving categorically that much more interesting music is made just below the surface.

Sufferhead can be bought from Juno, Amazon or iTunes.

Thanks to Jono.

dl:
1. Perfect Rain
2. Tongue Tied
3. Revolution Train
4. Sparticus
5. Turn Up The Fuzz

First published 2013; edited 2014

(c) 2014 Mat Smith / Documentary Evidence