Teany, 90 Rivington Street, New York

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Teany

Teany is the vegetarian restaurant established by Moby and his ex girlfriend Kelly Tisdale, located on Rivington Street, New York, just off Bowery in the Lower East Side.

Moby and Tisdale are no longer involved in the venture, and I don’t believe Moby was ever really ever actively involved, but the pair did pen a book of Kelly’s recipes, and the book included a whole stack of Moby’s self-deprecating Little Idiot drawings. The restaurant even spawned a range of Teany-branded iced tea drinks; I bought one once from a convenience store on Fifth Avenue, but I couldn’t tell you now what flavour it was, or even if I enjoyed it, though I’m slightly surprised I didn’t try to squeeze the empty bottle into my suitcase. The name Teany itself was an amalgam of the words tea and the abbreviation for New York, as well as being an intentional misspelling of teeny, as in small. Which it is.

I’ve been to Teany twice. The first time was in 2005, back when Tisdale and Hall were still the proprietors. It was a hot late summer afternoon in Manhattan, and I’d dragged my pregnant wife across the island to Bowery with the sole intention of getting a drink a Teany. When we got there the place was heaving, the tables outside were all taken, and, well, I was a bit of a chicken about going in places like that. I don’t know why. Mrs S was not hugely impressed with me, mostly because she was tired and grumpy because of bring pregnant, but also because back then the area round Bowery was still a bit edgy.

The second time was this year. My family and I were schlepping around the area in pursuit of, variously, ice cream, rice pudding and cheesecake, all of which were consumed before lunch. Don’t ask why. Rivington Street itself was pretty empty, and when we walked past Teany I thought I would nip inside to take a look and also to try and buy a mug. Back in the day, Teany offered a limited range of merchandise, but they wouldn’t ship to the UK. The webshop ceased trading a few years ago also, and despite some enquiries via an email address off their website, it seemed that a Teany mug was not going to be mine. So I thought I’d pop in and see if they’d sell me one on the off chance.

Sadly that was not meant to be. I had an exchange with a pretty waitress who didn’t speak much English (and who clearly couldn’t work out how to comprehend my English accent), somewhere on the axis between confusing and frustrating. It went a little like this:

‘Do you still sell mugs?’

‘You wan’ milk?’

‘No, I want to buy a mug. Do you still sell mugs?’

‘Milk?’

‘No, a mug.’

‘I’m sorry – whas’ a, a, merg?’

‘It’s like a cup. But, you know, a mug?’

‘You wan’ a cup of milk?’

‘No!’ I then spied a white mug with a red Teany logo on the shelf behind her. ‘One of those!’

‘Ah, you mean a mug!’

‘Yes, do you sell those?’

‘No.’

‘Okay. Bye.’

If I’m honest, I didn’t like the interior much. It was a lot smaller than I thought it would be and, well, a bit shabby. I’m not sure if this is how it would have looked back in the day, but I wasn’t that impressed. I obviously didn’t eat so I can’t comment on the food.

Anyway, I can say I’ve been in now, and I can (not without some disappointment) put to rest my quest for a Teany mug.

As we turned off Rivington and headed down Ludlow, I found this bit of graffiti, which cheered me up.

Grafitti on Ludlow Street

Wise words.

(c) 2014 Mat Smith / Documentary Evidence

Jorge Punaro – An Introduction To Mute (Spotify playlist, 2014)

Jorge Punaro - An Introduction To Mute

At Documentary Evidence, we like to think of ourselves as pretty knowledgeable about all things Mute, but Jorge Punaro is the ultimate expert, and his collection includes some of the most sought-after items in the back catalogue of the label.

By way of proof, Jorge has obsessively compiled this extensive Mute playlist on Spotify, consisting of 133 tracks available on the platform presented largely in alphabetical order. Jorge even points out that the full playlist – containing tracks from every artist that recorded for Mute and many of its sub-labels – contains a whopping 153 tracks, but that twenty artists aren’t available on Spotify.

This painstakingly-prepared playlist runs for a staggering 12 hours and can be found here.

Thanks to Jorge.

(c) 2014 Mat Smith / Documentary Evidence

Erasure – A Little Raspberry-spect (cocktail)

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So, following up my post last week about the Blue Savannah cocktail from the Snow Globe boxset booklet of recipes, I decided that the next one on the list would be the A Little Raspberry-spect. Clearly, this is somewhat clumsily named after what I recently described as Vince Clarke and Andy Bell‘s signature song, ‘A Little Respect’, and just like that single, this one has hit written all over it.

This is a mix of gin, lemon juice and muddled raspberries, the tartness of which is offset by sugar syrup (I used agave syrup, which has a lower GI, whatever that means, and where the taste is a bit less in your face). The recipe in the Snow Globe book specifically calls for Beefeater gin, but I wasn’t going to go and buy some just for this, and instead used the dregs of some Tanqueray that have been skulking in the back of the drinks cabinet since Christmas. (The second time around we used vodka and that worked just as well.)

This drink is refreshing, sweet / sour, brilliantly seasonal and provides a neat use for raspberries that have gone a bit squidgy and which would otherwise be destined for a smoothie if you can be bothered, or the bin if you can’t. It also looks pretty darned chic as well, and might well replace the relative heaviness of Pimm’s round our way when summer really gets going.

(c) 2014 Mat Smith / Documentary Evidence

Erasure – Blue Savannah (cocktail)

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Erasure - Blue Savannah (cocktail)

To celebrate the announcement of the new Erasure album yesterday, I thought it was probably high time to take a proper look inside the box of their last album, 2013’s Snow Globe. Specifically, I thought I’d raise a glass to The Violet Flame by mixing one of the Erasure song-themed drinks included in the novelty cocktail booklet that came inside the Snow Globe box.

Alongside my love of all things Mute, another of my interests is making cocktails. I don’t say that as code for enjoying getting drunk – far from it; I’m not good at that at all – but rather I genuinely enjoy the process of taking ingredients, following recipes and mixing interesting drinks.

I selected the Blue Savannah, named in honour of the third single taken from Wild!, for two reasonably sensible reasons; first because I happened to have all of the ingredients in the house already, and second because Mrs S tends to prefer longer, juice-based cocktails.

The Blue Savannah is a vodka-based drink mixed with blue curacao, orange and pineapple juices which is then strained into a highball glass over ice. Anyone with a rudimentary grasp of colours will know that mixing blue with orange will produce a greeny, almost turquoise hue, and so it is with the Blue Savannah, as can be seen in the photo. Pineapple juice, when shaken and strained, produces a velvet foam (as does egg white), hence the ‘head’ that’s visible on the drink.

Curacao is a liqueur made with a bitter, orange-esque fruit called lahara. When mixed with sweet juices as it is in this drink, curacao has the effect of cutting through sweeter flavours and toning down fruit sugars. Plus, in the case of blue curacao, it naturally adds a distinctive colour to proceedings. Not being a fan of really sweet cocktails, I really liked the addition of some bitterness. Mrs S was less convinced, saying that something in the drink was bothering her throat.

I will ultimately work my way through the other cocktails in the book over the next few months. I’ll even tackle the Love To Hate You, a challenging drink that includes Marmite alongside fruit flavours.

Cheers.

(c) 2014 Mat Smith / Documentary Evidence

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David Baker (Komputer) – Dirty Contacts 2 DJ Date

Dave Baker from Komputer / Fortran 5 / I Start Counting DJs at London electronic music night Dirty Contacts 2 at The Boogaloo in Highgate, London on 1 May.

Details can be found through this link, which also includes an extract from my Mute Short Circuit review from 2011.

Cold Specks ‘Christmas Evermore’ (Sartorial Records, 2012)

Various Artists 'All Ready For The 25th?' download artwork

All Ready For The 25th album | Sartorial Records | 2012

Cold Specks delivered this cover of a Mary Margaret O’Hara track for a Christmas compilation released on Sartorial Records. A plaintive cry for peace and an end to war, ‘Christmas Evermore’ is at times beautiful and at others defiant, Al Spx‘s voice turning tricks that evidence a captivating vocal power she’s barely even started using yet. Spx is here joined by Mark Bedford (double bass), Lee J Harris (electric guitar) and Terry Edwards (flugelhorn, acoustic guitar); if, like me, you think Christmas isn’t Christmas without brass, ‘Christmas Evermore’ won’t disappoint.

First published 2012; re-published 2014

(c) 2014 Mat Smith / Documentary Evidence

Email Exchange With Penguin Books

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From: Mat Smith (Documentary Evidence)
Sent: 15 March 2014 11.56
To: Editor (Penguin UK)
Subject: Research Help – Rhythm King And The Dance Explosion book

Dear Penguin,

I am trying to find details of a book that may have been published by Penguin ‎/ Fantail in 1990. The book is entitled Beat This! Rhythm King And The Dance Explosion. I have undertaken a number of Google searches but this book either never existed, never got published or has simply been forgotten in the passage of time.

The book is referenced on the sleeve‎ of an LP released by the Rhythm King record label in 1990 and describes the book as being imminently published. See the attached picture by way of evidence.

I am trying to confirm the existence of this book at this stage, and also any details of the ISBN, cover, author etc. I don’t want to particularly think about how hard it will be to track down a copy. I will cross that bridge in due course.

This is all research for a series of articles I am writing for my website in order to present the most comprehensive history of the Rhythm King label, which had a major impact on the development of electronic dance music in the UK.

Any assistance would be greatly appreciated.

By way of background, I am a freelance music journalist writing for Clash, This Is Not Retro, Electronic Sound, Feeder and my own blog Documentary Evidence.

I look forward to any help you can supply.

Best regards,

Mat

————

From: Editor (Penguin UK)
Sent: 21 March 2014 10.45
To: Mat Smith (Documentary Evidence)
Subject: Re: Research Help – Rhythm King And The Dance Explosion book

Dear Mat,

Thank you for your email.  Unfortunately I’ve been unable to find the book you’re looking for in our title database and I admit I am unfamiliar with Fantail publishing, as it no longer exists as an imprint.

Really sorry I can’t help you any further with your search.

Kind regards,

——————————-
The Editor
Penguin Random House

Penguin

80 Strand, London, WC2R 0RL
http://www.penguin.co.uk

Cold Specks – A Short History Of The High Rise: Part 3 – Glass

Director: Katerina Cizek, 2013 / Narrator: Cold Specks

Al Spx narrated the third part of this National Film Board of Canada series on the development of vertical living, tracing its origins from mud-built Roman apartment blocks, through slum-clearing social housing projects and finally through to the modern glass-clad luxury condos. Spx’s episode on modern apartment living has a cautionary tone, enhanced by some stirring music from Zoe Keating (‘Optimist’). The series was created in conjunction with the New York Times photo archive. More detail on the project can be found here while this episode can be viewed above.

(c) 2014 Mat Smith / Documentary Evidence